Fxfactory pro tutorial11/8/2023 ![]() ![]() This is not a multicam edit, though it may seem so at first blush. It is beyond the scope of this article to describe the best way to do an audio mix.Įxport the audio as a stereo WAV file and import into Final Cut Pro X to begin the video edit. This allows easy adding of EQ and dynamic level processing. NOTE: The easiest way to create an audio edit is to load all the clips into an audio editor, such as ProTools or Audition so that each singer has their own track. By mixing the audio first, you can clean up problems and get exactly the right sound you need. Retaining the sync point is essential for the video edit. It is very hard to edit a quartet if the tenor forgot to send their file.īefore doing any video editing, create an audio mix of the entire performance AND INCLUDE THE SYNC POINT in the mix. One of the things you want to check, before editing starts, is that you have enough elements to create a finished performance. While you can change your mind once editing starts, a little planning at the beginning will save a ton of time later. Then, spend time thinking about the look you want on screen. Gather all the media, clearly label it and verify that cue points exist. Just hope for the best, and allow time for transcoding. You can ask, but most people won’t understand your question. There is no way you can get them to standardize on a codec, frame size or frame rate. From experience, most people can handle this question. Your goal is to get this cue close, but it doesn’t need to be perfect.Īlso, you should stress to your participants whether they should shoot horizontal or vertical video. NOTE: Singers and musicians will listen to the soundtrack on headsets, so determine a method for them to accurately indicate when they hear the cue. However, given the vagaries of performance, you’ll still need to allow time to manually tweak the sync for every clip. Without it, you’ll spend far too much time getting everyone aligned for time. This gives you a cue you can use to bring all these different elements roughly into sync during the edit. In all three cases, add a cue – like a beep – two seconds before the performance starts. A cappella singers and instrumentalists need a click track, with a pitch and cue to start.Singers need the accompaniment, with a cue to start.Dancers need the music they are dancing to, with a cue to start.The biggest logistical challenge is to get audio to the performers for them to perform with. Edit the images to the finished soundtrackįeel free to add more suggestions in the comments below.Gather all elements to make sure you have what you need to create a performance.Distribute the same soundtrack with a sync point to all performers.Here’s my overall workflow to create a performance video wall: In this article, I want to discuss the workflow necessary to create these.Īs part of this tutorial, I’m using a brand-new FCP X plugin from FX Factory – called “Griddy” – that helps with on-screen positioning. These projects are fun to watch, but they are really tricky to build. Dick Osso wrote: I’ve been asked to create a Video Dance Recital, where each dancer performs at home, but needs to be combined into the entire performance. ![]()
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